Colonel Panic wrote:Frontier - Recorded Live at The Empty Bottle, 7.23.96

This doesn't fully convey the wonderfulness of this lenticular CD case.

Cop Shoot Cop's Release is a good record, DAMN!

For kerble...omniscient boardgod:

Bob Dylan - The Basement Tapes (1975 release...recorded much earlier ['69?]).
http://www.sendspace.com/file/xgi3s3

PM me when you get this kerble, I wouldn't want to leave up a major label release for very long (RIAA likes to hunt my type [broke college student] down like a dog).

...

JDanger wrote:

Disc 1
Disc 2


Well then, how bout this link:

You'd posted that you'd put it up hours ago...I thought that I would save you the trouble. My copy was already on my computer. I zipped it, posted it...thought you'd see it, not spend time uploading a record when you got home from what I assume was work.

Besides, mine is in one file.

Ladies and gentlemen, I present to you a record a so good that after these eight songs are done playing, the entire album repeats itself.
DMX Krew - Nu Romantix

http://www.sendspace.com/file/uoaman

thanks for the basement tapes, cheered me up

karp - suplex

http://www.sendspace.com/file/a1xwwo

karp - rye coalition split

http://www.sendspace.com/file/6hwmf3

happy to give something

thank you..

Del Shannon
The Further Adventures of Charles Westover
Liberty 1968

This lesser-known cult favorite is not only one of the most musically ambitious outings of Del Shannon's career, but also one of his most all-around consistent albums. The Further Adventures of Charles Westover finds Shannon embracing psychedelia in a personalized way: Instead of imitating the whimsy of Sgt. Pepper's Lonely Hearts Club Band, or the creepy freak-outs of Their Satanic Majesties Request, he uses the cinematic quality of psychedelic pop to provide a vivid backdrop for his songwriting. For instance, "Silver Birch" uses a swirling mass of horns and densely layered backing vocals to add a haunting quality to its tale of an abandoned bride, and "Color Flashing Hair" uses vertiginous string motifs and churning horns to re-create the feelings of obsessive love described in the lyrics. Shannon's work on this album also differs from usual psychedelic fare because it mixes some earthier textures into its sonic brew: "Be My Friend" enhances its lusty plea for feminine companionship with wailing harmonica and gospel-tinged female backing vocals, and "River Cool" laces its swinging beat with some deliciously soulful organ licks. The overall effect is stunning, managing to fit the tag of psychedelic pop but still retaining the haunting, emotional kind of songwriting that distinguished Del Shannon's music.

http://www.divshare.com/download/657665-11a