Little tech questions from your day

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endofanera wrote:fedaykin13 wrote:you guys are gonna make fun of me but here it goes:in the song "Debonair" by The Afghan Whigs.How is the sound achieved for the second guitar?No particular effect that I could hear in those videos, just sounds to me like he's playing octaves. Fret two notes an octave apart and play.really?it almost sounds like a little chorus pedal with distortion, but I'm not sure.It reminds me of earlier Jawbreaker.I liked his tone but felt like it was distortion plus at least one other thing.i'm an idiot when it comes to guitar gear.
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Little tech questions from your day

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zom-zom wrote:SecondEdition wrote:zom-zom wrote:SecondEdition wrote:Anyone know if JMF/Dean Markley Spectra heads actually exist? I see combos but no heads or cabs.I don't know if you're asking about Dean Markley heads or Spectra, but I did have a Dean Markley tube head around '85. It sounded great. Rack mount.I'd thought that Dean Markley had bought out the JMF Electronics Spectra amps. Was there a different company called Spectra that made amps?I have no idea about Dean Markley buying out JMF Spectra amps. I'm just saying that Dean Markley had a line of tube amps as well, and I had one.I had a 100 Watt Dean Markley head. It actually sounded great, and it never broke. Here's my question: One of my heads (the head part of a traynor YGM-4 Guitar mate) has 3 inputs. I find that if I bridge 2 and 3 and plug into 1, I get more gain. Also, I have seen Marshalls and Hiwatts with 4 inputs, and people bridge two of them. What the hell is going on here? How can an two inputs hooked together get more gain?

Little tech questions from your day

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fedaykin13 wrote:you guys are gonna make fun of me but here it goes:in the song "Debonair" by The Afghan Whigs.How is the sound achieved for the second guitar?From the beginning of the song, one guitar starts then right before the drums start the beata second guitar plays a little riff that sounds like some sort of octave.what effects are used to achieve the sound of that guitar.I sort of like it. It's probably something really simpleI know there is a video for the song, but I just can't find it.This might help.http://www.youtube.com/watch?v=yWg\_4r-coQ4http://www.youtube.com/watch?v=C26BI1kJdkk

Little tech questions from your day

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yes, Hiwatt, Marshall, many Traynor, Fender etc have two channels and you can run through both of them which hits the power amp with more signal and so it's louder.the YGM-4 is a single-channel amp, so bridging the inputs should have no effect. All three of those input jacks are wired together, so you're basically just adding a wire to your amp that connects the input to itself. It shouldn't make any actual difference.
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Little tech questions from your day

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zom-zom wrote:SecondEdition wrote:Anyone know if JMF/Dean Markley Spectra heads actually exist? I see combos but no heads or cabs.I don't know if you're asking about Dean Markley heads or Spectra, but I did have a Dean Markley tube head around '85. It sounded great. Rack mount.I'd thought that Dean Markley had bought out the JMF Electronics Spectra amps. Was there a different company called Spectra that made amps?
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Little tech questions from your day

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SecondEdition wrote:zom-zom wrote:SecondEdition wrote:Anyone know if JMF/Dean Markley Spectra heads actually exist? I see combos but no heads or cabs.I don't know if you're asking about Dean Markley heads or Spectra, but I did have a Dean Markley tube head around '85. It sounded great. Rack mount.I'd thought that Dean Markley had bought out the JMF Electronics Spectra amps. Was there a different company called Spectra that made amps?I have no idea about Dean Markley buying out JMF Spectra amps. I'm just saying that Dean Markley had a line of tube amps as well, and I had one.

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