Edd Tastyhead wrote:night_tools wrote:Ill thought out whimsical stoooodent crap. How these cunts got commissioned for 4 BBC series is beyond me. I've listened to all 6 episodes in the gmail account, and the only thing that made me laugh was a one liner about vince looking like a girl.
I guess if you're into poorly done american accents and the belief that certain words are intrinsically funny this might be a good show to watch or listen to.]
And Richard Ayoade is in one of the radio episodes, as if the two Boosh cunts weren't bad enough on their own.
I could write better comedy. In fact, I'm pretty sure I have written better comedy. Perhaps one day you might hear it.
CRAP
No offence dude, but if you don't find the Boosh even vaguely funny I don't wanna hear your comedy.
And for the record, the only American accent I can remember being in it is Rich Fulcher (Bob Fossil). He is American.
I wouldn't be as harsh as Night Tools, but his general sentiment is one that I agree with: it does feel like slightly intellectualised student silliness. The "slightly intellectualised" part comes from the always-signposted ironic distance they keep from the silliness of the material, which I take to be a poor trick. It is as if to say that they themselves do not take the material seriously.
At least when, say, Spike Milligan was being ridiculously silly, he had the grace and conviction to throw himself into it whole-heartedly. I see no conviction in
The Mighty Boosh except one towards an infuriating winking at the audience: stop winking at me, you scruffy bastards! Make better stories and better jokes!
As a comic actor, from
Nathan Barley I know that the one with the moustache has talent that is under-exploited in this show. The one with the big hair and the constant smirk is irredeemably annoying and inexplicably ubiquitous. His main quality appears to be to assume a simulacram of popular coolness and advertise the fact that he likes funk and electro. Oh, well done pal...
I did enjoy the one with with Flirtinis in, though.
Edit: Having just read what I wrote, I'm taken aback by my own vitriol. I don't hate
The Mighty Boosh. I am, however, slightly irked by the praise heaped on it. This is an irrational reason to get bilious.