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That letter Wood Goblin quoted echoes exactly what I was thinking as Meadow's and AJ's professional fates were becoming clear. All of that, plus the Journey lyrics ending precisely on "Don't stop", just reinforce that the cut to black wasn't Tony getting shot, but confirmation that we've merely drawn the shade on this slice of life we're watching and that it will continue, whether we observe it or not, in exactly the same perverse, destructive, narrow way it has all along.
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Ty Webb wrote:I thought the whole episode including the ending was brilliant. It was a note-perfect way to end the show because it wasn't neat or conclusive. The whole show has been about the psychology of the characters. Such a thing can't be tied up with a bow.

From the very beginning of the series, you knew Tony's end could only take 1 of 3 roads: arrest, flipping, or getting killed. I love that the ending of the show left all 3 of those a possibility.


That pretty much sums it up for me. I took the very end as kind of like, hey, we ran out of film. The shit will just keep going on - Tony escaped with his family and job intact again. One day he won't, but for now, that's it.

I have to say, that this episode was one of my favorites from the entire run. Classic AJ, all over the road, trying to be thoughtful, caving into his lowest common denominator whims again. Meadow has also completely rewritten history in her mind at the thought of making a boatload of cash. Paulie was KILLING me the entire episode with the cat business, not wanting to head up the Cifaretto crew due to his simple-minded superstitions, Butchie finding himself in Chinatown - awesome how they did that scene - you can read his thoughts about Phil changing and by the end of the conversation he's pretty much "Man, this is going to be SO much worse than dealing with New Jersey." I think the FBI dude was kind of used as a mouthpiece for the viewing public. He wants to do the right thing and be on the side of law and order, but he can't help cheering for this murdering, sociopath monster.
Mike G.

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bri2u2002 wrote:AJ became the very thing he hated the most.


Nah. AJ did what he always does. I had made various predictions about AJ - I thought he was gonna turn into DARK AJ the killer or something. But really, he's just AJ. He can't help it.

"I want to join the army, go to Afghanistan and help the local people."

"Well, howabout we just buy you a Beamer and set you up with fake job that makes you look like a bigshot for that girl you Like?"

"Really? OK!"

Classic AJ. Classic enabling Sorpano parents.
Mike G.

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In other words, we were all tempted to think that AJ's suicide attempt marked some sort of turning point in his life, that he was going to become a John Walker Lindh type or enlist in the military. But by the end of the episode, he's back doing exactly what we've always been able to count on AJ to do: enjoy the material advantages of his life and rely on his parents to feed him. We were tempted to think that Carmela, if ever truly confronted by what Tony does for a living, might leave him or have a crisis of conscience, but once Tony tells her that Sil and Bobby have been shot, we cannot say that she is under any delusions. And yet, by the end of the episode, there she still sits at the diner with him, her main complaint being that she had to spend a couple of weeks at a crummy safe house. We also thought that Tony would reach some big turning point in his life, after being chased out of his house by Phil, losing Sil and Bobby, and having to run for his life, but in fact, by the end of the episode he's back doing what he always does. Even Janice's name was batted about as someone who might rise up and take over the family. But what does Janice do? She announces she needs to lose weight because she now has to find herself a new husband. Life goes on...

Meadow--incidentally, also the last to enter the restaurant in that final scene--is the one person with the brains and talent to truly break away from mob life and do something completely different. And yet, last night, we are shown the sight of Tony and Carmela resigning themselves to their daughter's fate: She's not only going to marry into the mob, but she's going to devote her intellect and talent to becoming a mob lawyer.


I like most of that.

But Tony and Carmela are not RESIGNED to Meadow's choice. They are ENTHRALLED by it.

Janice's comment about losing weight to find a husband was a wry, self-depricating joke.
Mike G.

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cesb wrote:
Janice's comment about losing weight to find a husband was a wry, self-depricating joke.


True, but the subsequent dialogue about getting no thanks for her mythical attempt to learn to be a good mother revealed that she too would continue to be the same as she ever was.
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"In fact, if I hadn't seen you hauled away by the FBI all those times, I'd probably be a boring suburban pediatrician now."

Tony, in this episode and throughout the past couple of seasons, is confronted with a ton of evidence that the life he has chosen is poisonous to him and everyone around him. That it is an inevitable dead end that will drag down everyone he loves in its vortex. But he can no longer envision a way out. Indeed, he doesn't even possess the ability to imagine WHY he should want a way out.

I think the message is that <i>shallow, self-serving</i> myth and belief are addictions that, if withdrawn, will cause collapse. So their believers continue to believe no matter what reality tells them to the contrary. Because it is all that is left to them and they no longer have the imagination to strive for anything beyond the mythos that excuses their worst inclinations.
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