Great record... terrible recording

31
KeithV wrote:
steve wrote:
zom-zom wrote:Suicide Commandos Make a Record.

I think I disagree. I like that record, and I can't imagine it sounding any different.

I agree with Steve on this one. That whole record sounds pretty damn good, including the drums. Even if it did sound like shit, the energy would have still shone through.

I third this, if that's even correct English. The drums certainly don't sound "natural" (they actually sound like they've been sped up on tape though I know that's likely impossible) but I think the overall recording is definitely flattering. I mean, the recording mechanics never get in the way of the music unlike enormous piles of records from the early to mid eighties.

As an aside, I attended the All Tomorrow's Parties festival that Shellac curated and Steve played some track off this record (followed or preceded by "Youth of America") while DJ'ing in the pub and I probably rather drunkenly thanked him for playing it as it reminded me of home. I would probably pay five dollars not to have done this as it was embarrassing and fanboy-ish. I did a similar thing to Silkworm in the later nineties behind Jay's Upstairs on the "the van shit the bed and we continued in a giant, ancient car" tour and later wound up feeling like an ass although they thankfully did not remember this when I met them more formally years later. Famous people do not make me nervous but my heroes do. That they don't openly mock my sad attempts to make them aware of my existence and their hero status only endears them to me more. Thanks, heroes.

Dan

Great record... terrible recording

35
I've been hunting around trying to find an interview with Chris Knox where he talks about being called "Lo-Fi" all the time.

The
"Audio fidelity" doesn't mean that much to me.
reminded me of it.

I can't find it, but, from memory what he said was that he wasn't "Lo-Fi" at all and hated the term. The fidelity of his music had nothing to do with the equipment he used or the audio quality of the recording. He argued that his recordings were actually a higher fidelity than most popular music because his were a completely faithfull representation of what he wanted, and what he had recorded.

I'm sure he said it much better than that though. It made me think about music in a different way.

I can't think of any album that I like that would make changes to.

Great record... terrible recording

40
Gramsci wrote:mine more of a "we spend 100,000 and it sounds like Keeny G" kinda thread...


So the Swans LP produced by Bill Laswell (The Burning World). It wouldn't have been a brilliant record with another producer but the result is real crap.
I have also listened to the Sunny Day Real Estate album produced by Lou Giordano (can't remember the title), it sounded like some corporate shit like Creed.

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