Sonic Youth will (possibly) appear in Guitar Hero III
Posted: Fri Sep 21, 2007 10:36 am
In this Spin article, I'm trying to work out if Thurston having a dig here at Steve, saying he earns the most money out of all the punk peers?...
http://www.spin.com/features/magazine/2 ... ton_moore/
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One thing you seem to share with your old-school punk peers Ian Mackaye and Steve Albini and Mike Watt is a real work ethic. Do you see younger bands today with that same drive, or was that a product of the '80s underground?
I think we all influenced each other that way, but I always wondered if that work ethic would have been necessary if we had been able to cash in. None of us get rich off what we're doing. The original do-it-yourself model of punk rock -- make your own record, your own fanzine -- really made an impression, and as a teenager, it was much cooler than the all-expenses-paid rock-star trip, which, in a way, made us like a gang. To me, that stuff is not too dissimilar from songwriting. Of all the people you mentioned, I would think Albini makes the most revenue because his [production] work is more industry-based, but I certainly have the desire not to work. To me, making records and making books is its own creative measure. But I would certainly love something to happen that brings a windfall, so all I would have to do is designate others to do the work. I would love that, but I don't foresee it happening.
http://www.spin.com/features/magazine/2 ... ton_moore/
>>>>>>>>
One thing you seem to share with your old-school punk peers Ian Mackaye and Steve Albini and Mike Watt is a real work ethic. Do you see younger bands today with that same drive, or was that a product of the '80s underground?
I think we all influenced each other that way, but I always wondered if that work ethic would have been necessary if we had been able to cash in. None of us get rich off what we're doing. The original do-it-yourself model of punk rock -- make your own record, your own fanzine -- really made an impression, and as a teenager, it was much cooler than the all-expenses-paid rock-star trip, which, in a way, made us like a gang. To me, that stuff is not too dissimilar from songwriting. Of all the people you mentioned, I would think Albini makes the most revenue because his [production] work is more industry-based, but I certainly have the desire not to work. To me, making records and making books is its own creative measure. But I would certainly love something to happen that brings a windfall, so all I would have to do is designate others to do the work. I would love that, but I don't foresee it happening.