I am looking forward to this new Outkast film, Idlewild

CRAP.

There's a track they released as a single (maybe 'Hey, Ya' (whatever it's called)) that has a chord in minor and major forms playing simultaneously. I do not believe it was intentional, I believe that one 'instrument' was sequenced, and the other sampled and it simply wasn't noticed.

The result is not an artistic success.

CRAP.

tmidgett wrote:but it's the only thing i've ever heard in my life that really, really sounds like it's coming off the sly stone launching pad. prince has gotten there on occasion, but the last two outkast records have many many 'what the...how did they...' moments of the sort that sly managed on a regular basis.

I'm a fan of Sly Stone and Outkast, and I would like you to point me in the direction of this Prince music you speak of.

Other people have said this to me, yet all the Prince music I've heard (apart from Little Red Corvette, which I quite like), has sounded like hideous 80's crap to me.

run joe, run wrote:I'm a fan of Sly Stone and Outkast, and I would like you to point me in the direction of this Prince music you speak of.

Other people have said this to me, yet all the Prince music I've heard (apart from Little Red Corvette, which I quite like), has sounded like hideous 80's crap to me.

Sign O' The Times should do it. I assume you havent heard 1999 in full either? Because that one's pretty damned good too.

Oh, and Lovesexy.



Also damned good.

Your affection for "Little Red Corvette," however? I'm at a loss.

endofanera wrote:Your affection for "Little Red Corvette," however? I'm at a loss.

I just liked the way she shagged all the jockeys before him.

I'll give Sign O' The Times a whirl.