Re: What are you listening to right now?
302I've finally managed to (mostly) exhaust all the Bach two hand keyboard works, the concertos, the unaccompanied solo violin, cello and lute works, Kunst der Fuge, and I'm not ready yet for the cantatas, motets or other sacred vocal works, so it's onto the secular organ works.
Mrs. Geiginni isn't greatly thrilled, but I'm really enjoying well-recorded Renaissance-thru-Classical era pipe organ. The first great additive synthesizers. Still far better than a goddamn DX-7, amirite?
Re: What are you listening to right now?
303Congrats! My brother is going through a similar exercise and, wow does it seem like a lot of work!Geiginni wrote: Thu Jul 08, 2021 11:50 am I've finally managed to (mostly) exhaust all the Bach two hand keyboard works, the concertos, the unaccompanied solo violin, cello and lute works, Kunst der Fuge, and I'm not ready yet for the cantatas, motets or other sacred vocal works, so it's onto the secular organ works.
Mesa - Glow
Re: What are you listening to right now?
305Have you explored later John Coltrane yet? Coltrane is a major influence on Christian Vander/Magma.Adam_I_III wrote: Magma - MDK.
So late to Magma. Amazing.
MDK reminds me a lot of Orff's Trionfi cantatas, although Vander claims he was not even familiar with, let alone influenced by Orff.
Re: What are you listening to right now?
306Something this enjoyable is pretty far from feeling like "work", but it does take a bit of concentration sometimes to really pick out the voices and follow each within the fugal development sections and not just let it all blur into background sounds.Leeplusplus wrote: Thu Jul 08, 2021 12:40 pmCongrats! My brother is going through a similar exercise and, wow does it seem like a lot of work!Geiginni wrote: Thu Jul 08, 2021 11:50 am I've finally managed to (mostly) exhaust all the Bach two hand keyboard works, the concertos, the unaccompanied solo violin, cello and lute works, Kunst der Fuge, and I'm not ready yet for the cantatas, motets or other sacred vocal works, so it's onto the secular organ works.
Re: What are you listening to right now?
307Fabulous! I will investigate; thanks so much!Geiginni wrote: Thu Jul 08, 2021 1:57 pmHave you explored later John Coltrane yet? Coltrane is a major influence on Christian Vander/Magma.Adam_I_III wrote: Magma - MDK.
So late to Magma. Amazing.
MDK reminds me a lot of Orff's Trionfi cantatas, although Vander claims he was not even familiar with, let alone influenced by Orff.
Re: What are you listening to right now?
308Traffic going past intermittently, waves crashing on the shore, birds tweeting, the clang of construction at the school undergoing repairs, people chatting over takeaway coffee in the street, my tinnitus, a generator humming, a car is honking
"lol, listen to op 'music' and you'll understand"....
https://sebastiansequoiah-grayson.bandcamp.com/
https://oblier.bandcamp.com/releases
https://youtube.com/user/sebbityseb
https://sebastiansequoiah-grayson.bandcamp.com/
https://oblier.bandcamp.com/releases
https://youtube.com/user/sebbityseb
Re: What are you listening to right now?
309You're welcome.Adam_I_III wrote: Thu Jul 08, 2021 4:10 pmFabulous! I will investigate; thanks so much!Geiginni wrote: Thu Jul 08, 2021 1:57 pmHave you explored later John Coltrane yet? Coltrane is a major influence on Christian Vander/Magma.Adam_I_III wrote: Magma - MDK.
So late to Magma. Amazing.
MDK reminds me a lot of Orff's Trionfi cantatas, although Vander claims he was not even familiar with, let alone influenced by Orff.
I'd start with "A Love Supreme" and also the "Africa/Brass" and "Ascension". Vander was really into that hyper-spiritual stuff Coltrane was doing, and it shows in some of the other Magma stuff from earlier and later than MDK - tracks like Malaria on Kobaia and Ëmëhntëhtt-Ré.
Carmina Burana is, of course, the go-to for Orff. It's great stuff, especially once you get past the O Fortuna, Hollywood mega-drama track everyone's heard too many times. The combination of song-structure repetition, the medieval texts sung in latin and middle-high German, and the huge 20th century instrumentation and orchestration in the style of post-Ravel grandiosity that was popular in fascist lands during that period (such as Respighi in Italy) makes for some powerful listening. Once you've heard it you'll wonder how Vander could NOT have based the style of MDK on it.