Took me forever to get back on the forum, was wiped out for a bit after the server switch.
That being said, I was lucky enough to record with Steve this past November for a second time. More on that later:
Rewind to 2005 - My band Zao is performing in Chicago. A very nice young woman introduces herself to the band and explains she is using footage of the band in a documentary she is working on. She proceeds to tell us her boyfriend records bands and we should check out his studio since he expressed interest in us after seeing the footage being edited. It turns out this was Heather. Within the hour the bartender is holding the phone up behind the bar and says "is somebody from Zao here for Steve Albini?" After the show the band went and toured Electrical.
We ended up working with him in early 2006 on our next record. We lived at the studio for about 2 and a half weeks. (during which time we did get to see Heather's documentary finally). Some great memories of that time:
1) Steve delaying one of our starting days because he was stuck on the phone. I was on the computer in the lounge right outside of the office and was hearing him gushing to whoever was on the other end. "I mean, you guys are one of my favorite bands of all time" "I can send some samples of my work just to make sure you want to do this" etc. After 2 hours he came out and apologized for the delay and said "sorry, that was Iggy Pop"
2) We were given the billiards bet. We win, he records for free. He wins, we pay double. We did not accept this.
3) We stopped the session 2 different times to watch the steelers in the playoffs, Steve said "you guys and Neurosis with this football stuff shutting stuff down. only bands that do this!"
4) We were there RIGHT when Steve was in the height of his obsession with St. Anger/Some Kind Of Monster. His speeches about them both were truly things to behold. When Heather found out we got him going again on it she basically said "oh my god, you don't understand how much time he spent listening to St. Anger, it became a problem"
5) Being as that we were from Pittsburgh, anytime the tape was about to be rolling steve would ask "Yinz guys ready?"
As was expected our label was mad at our album, Steve actually wrote to us and apologized. We told him there was no need. he gave us exactly what we asked for. It was probably one of the best recording experiences of my life and I stayed in touch as much as I could (without getting in his way). Whether it was a phone all or an email asking recording advice or gear advice. He ALWAYS got back to me, and quickly. Some friends of mine in the band Microwaves were doing a cover of The Power Of Independent Trucking for a 7 inch and asked me to get in touch with Steve for them to ask about a lyric question. I told them to call the studio and ask. sure enough he picked up the phone and told them "let me see what I can do" and within hours sent the official lyrics to them.
Fast Forward to this past november, I get a call on a Sunday night. Can you be at Electrical Audio to record with steve in 5 days? The drummer on the session bailed. Of course I could! (and even if I couldn't I would have made it work). Got sent 4 songs to learn and flew out. Steve talked me into using the glorious Jenkins Martin kit in Kentucky. Dear lord, what a sound. I forgot how truly great it was to watch him work. He was massively apologetic when the Eventide's both shit the bed in the middle of takes which made me have to re-do stuff and wait while he troubleshot what was wrong. I will admit a perverse pleasure seeing him write "in the tech journal" what was wrong (I did follow greg's tech journal after that and was happy to see they were fixed
Metallica was brought up again. He didn't go into Some Kind Of Monster this time, this time he explained how he was really into the making of the black album documentary at that point mainly for "Bob Rock's narcissitic mind games on the members of metallica" in it.
One of the things that he said that REALLY blew my mind, I noticed he was using the Cole's ribbon mics in a different position as overheads. I asked about it. He said "I went to someone's studio to work on something and they had the drums mic'd this way and said they really liked it so I rolled with it, and I ended up loving it so I have been doing it ever since." without any further prompting he said "okay, I will tell you, it was paul mccartney". I didn't ask further WHAT that was, hopefully time will tell.
It was a way to quick trip, i got asked to stay ONE more day because everything went well and the band leader wanted to try to get one more song but due to the short notice I HAD to be back. If i could do that over again for one more day, I would.
Before I left I did talk to him about bringing Zao back. He was into it.
We still may.
either way, this has been a hard week and my thoughts go out to everyone at the studio and to heather.