Re: Tipping The Sacred Cows 2.0

343
Wood Goblin wrote: Fri Jan 28, 2022 11:07 am As a public personalty, she’s great.

There is probably some excellent music somewhere, on some of her records.

But I really don’t understand the love for Dolly Parton beyond that. “She wrote ‘Jolene’ and ‘I Will Always Love You’ in the same day!” Man, I HATE those songs!
Whatever is going on here?

It seriously does not make a lick of sense.

You want to understand why I love Dolly Parton? To me, I have a tough time understanding that there are human beings who exist who do not get why other human beings would love this...

Re: Tipping The Sacred Cows 2.0

347
Kniferide wrote: Tue Oct 11, 2022 11:39 pm I'm pretty down with people saying whatever on this thread but Dolly is a fucking bad mother fucker from the tips of her toes to the tips of her nips. She just fucking rules. Hands down a perfect person, musically. socially... the best.
I recommend getting on Indeed and checking out how much an entry-level Dollywood worker makes per hour.

She’s great, but far from perfect.

Re: Tipping The Sacred Cows 2.0

348
Dave N. wrote: Wed Oct 12, 2022 6:35 am
Kniferide wrote: Tue Oct 11, 2022 11:39 pm I'm pretty down with people saying whatever on this thread but Dolly is a fucking bad mother fucker from the tips of her toes to the tips of her nips. She just fucking rules. Hands down a perfect person, musically. socially... the best.
I recommend getting on Indeed and checking out how much an entry-level Dollywood worker makes per hour.

She’s great, but far from perfect.
$14?

Re: Tipping The Sacred Cows 2.0

349
Roeder wrote: Mon Oct 10, 2022 11:28 pm Analog recording is kind of a pain in the ass.
Amen.

Chemical photography is a PITA too.

Maybe not for the twenty-something, "ooh, ANALOG photography!", Lomography, just found my first used Pentax K1000/Canon AE-1 "and I send away the film and, "bam" magic, I get images on polyester and paper back".

But for someone who's still interested in historical equipment and processes and used to do darkroom work, and enjoys occasionally shooting medium or large format: huge pain-in-the-ass that didn't seem quite as much so 30 years ago.

Also, the realization of what a environmental/material mess chemical photography is: film bases and emulsions, reagents, not to mention the complex organic chemistry of doing color and all the byproducts. As opposed to a factory in South Korea just shitting out millions of tiny silicon chips with billions of NAND gates embedded in them.

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