Michael Azerrad s Book for the 90s

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Chapter Two wrote:Hmm. I never went for 'em myself. It just didn't seem interesting music to me. I don't know whether it would now, but it bored me at the time.


Strap it on and Betty are solid gold.

Meantime is very good -for a metal album.

Aftertaste is not great, but under-rated, the songs sound a lot gritter live, without all the Dave Sardy production.

Size Matters is shite, period.
Reality

Popular Mechanics Report of 9-11

NIST Investigation of the World Trade Center Disaster

Michael Azerrad s Book for the 90s

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Alright, fuck this one band only thing. My sequel to Our Band features biographies of

The Jesus Lizard
John Reis
Helmet
Jawbox
Slint
Fugazi(They shouldn't have been in the original, considering they already had Minor Threat in it and the majority of Fugazi's work came in the 90s)
Archers of Loaf
Superchunk
Don Caballero
Pre-Natal Pretties Northeast Regional Champ 1988

Michael Azerrad s Book for the 90s

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What are the criteria? I think a band has to be 1) musically singular, 2) poorly biographed, if at all, 3) of the 90s, and most of all 4) a compelling story.

Slint is not #3, but is definitely all the others.
If the tour diary is any indication, Don Caballero would be awesome.
Pavement is hilarious and Totally 90s, but Slow Century does the job.
Even though Polvo and Bedhead are among my favorite bands, they don't impress me as good stories.

GVSB, SKWM, SEAM, Tortoise, Shellac, Jesus Lizard, Gastr del Sol (!), U.S. Maple, and so many others meet most of the criteria, but half the book can't be about Chicago...unless the whole book is about Chicago.

A 90s book would be difficult. Azerrad's band choices are guided by the central storyline of a fledgling DIY/underground movement in America and the desire to represent different labels and cities. I'm not sure what arc ties a dozen 90s bands together. Not that I wouldn't love to read 12 short biographies of 90s bands, but a great thing about Azerrad's book is that someone who knows nothing about those 80s bands could enjoy it, because the stories of Black Flag, Butthole Surfers, Minor Threat, and others are original and compelling, even without audio. Even if the individual stories of a 90s book were universally readable, there would have to be a reason for an ignorant person to pick up the book in the first place (and a reason for someone to write the book).

And though I would love to be proven wrong, I don't believe that David Grubbs and Jim O'Rourke ever beat each other up onstage and then spent the night in a squat after eating fast food they bummed off of scene chicks.

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