Fuzz pedals: In addition to all the other reasons posted, this is a facet of the overall gear market explosion. I don't know that fuzz pedals were ever particularly unpopular, but yeah they sure are a big deal these days. I think there was a good stretch from the 80s-90s where newly manufactured and good fuzz pedals were not common. Their popularity in bands of those days were limited by what vintage gear could be found. Dunlop made some assy Fuzz Face clones, and various forms of the Big Muff (fuzz status of which has been challenged) were around. The boutique market eventually revived fuzzcraft as a more common thing. Analog synths were gone until the last decade introduced new affordable units (even if many were reissues).DaveA wrote: Sat Oct 08, 2022 6:36 pm Don't know about "neo-grunge" (whatever that is), but fuzz pedals, for one, are more popular now than they were in the nineties.
Or at least it sure as hell seems that way.
Pseudo lo-fi is the phenomena that kinda boggles me. I mean, I don't dislike a little warble and a little bit crushing here and there, but folks just hose shit down with it these days. The most obnoxious thing is the vaporwave whatever stuff. Like it's nostalgia for something that never was, not even remotely.
Man, the late 90s and early 2000s were a rough time gear and music wise in a lot of ways. When I started playing guitar it was hard to get a decently playing, affordable guitar that wasn't a strat copy. And unless you lived in a proper town, offset fenders were hard to even find let alone afford. You could still get killer deals on tons of stuff if you had a halfway decent regional used market, but even then the internet was rapidly sweeping away those sweet pawnshop scores. Where I lived it was mostly used church audio stuff anyway.