No Country for Old Men?

CRAP
Total votes: 5 (6%)
NOT CRAP
Total votes: 76 (94%)
Total votes: 81

Film: No Country for Old Men

51
nihil wrote:How do you think he bought that shirt? Also, the coin and screws for the vent in the hotel room...? Does that help?


He only paid 1 or 2 hundred bucks for the shirt. Pocket change.

I saw the coin and screws. He obviously had opened the vent. I'm just wondering if more action happened off camera. Maybe, maybe not. I'm curious by nature.

To expand on that, the dude had conversations with every character except Jones. And since they were in the same room together, and he seemed to relish these conversations, why not another?
A little chi kung up the Ch'ueng Mo O))
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Film: No Country for Old Men

57
Great movie... Ended perfectly. I like how nothing was really left untied, outcomes just weren't explicitly stated. That was the gist of the tension throughout.

Wheely wrote:To expand on that, the dude had conversations with every character except Jones. And since they were in the same room together, and he seemed to relish these conversations, why not another?


He was in the hotel room next door. Both rooms had their locks punched out. Tommy Lee Jones picked the door on the left.. I think it was the left... a good choice.

Film: No Country for Old Men

58
itchy mcgoo wrote:"Brutal" and "beautiful" have been used a lot, and they are appropriate--brutal stories and beautiful shots. I was ~5 minutes late to the movie, so couldn't discern at first what the significance of the pick-up trucks in the basin were about--but there was a palpable dark feel to that setting. And fuck, it was beautiful.


if you get a chance, see those first 5 minutes -- beautiful panoramic shots.
jimmy spako wrote:jeff porcaro may be gone but his ghostnotes continue to haunt me.

Film: No Country for Old Men

59
jason smith wrote:Great movie... Ended perfectly. I like how nothing was really left untied, outcomes just weren't explicitly stated. That was the gist of the tension throughout.

Wheely wrote:To expand on that, the dude had conversations with every character except Jones. And since they were in the same room together, and he seemed to relish these conversations, why not another?


He was in the hotel room next door. Both rooms had their locks punched out. Tommy Lee Jones picked the door on the left.. I think it was the left... a good choice.


Ah-ha! I missed that both rooms had their locks punched out. But why was he in the other room? He retrieved the cash from room #1, so why go into room #2? Anyway, thanks for the info. I need to see this movie again.
A little chi kung up the Ch'ueng Mo O))
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Film: No Country for Old Men

60
Wheely wrote:Ah-ha! I missed that both rooms had their locks punched out. But why was he in the other room? He retrieved the cash from room #1, so why go into room #2? Anyway, thanks for the info. I need to see this movie again.

I don't know... part of it was just structurally necessary (in terms of plot) so that Tommy Lee Jones would have to choose between door#1 or #2, it's the form of coin toss the bad guy chose for Tommy Lee Jones I guess. Since the mexicans are the ones that shot the hero down, and the bad guy gets the money, the money retrieval didn't happen until after the police were gone. Maybe the bad guy started with the room next door to try and find the money first since that's how the hero initially hid it, then had to run back in when he heard Tommy Lee Jones coming..??

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