The Woodworking Thread
51steve wrote:Your shit never ceases to amaze. Osage orange is crazy dense with torture grain, and you bent it into a ukulele like a fucking maniac. Seriously, what the fuck. You psycho. Thanks Steve! The osage orange was nuts to work with but I love how it looks and sounds. It might be a bit yellow for the general guitar public but I definitely want to make another one out of it. llllllllllllllllllllllll wrote:To me those little curve balls you throw, say like the inlays starting on the 15th fret or the heel (or is that the butt?) of the neck are my favorite little appointments. I ve seen you do that in little spots on your other guitars and it s so cool.Dudley wrote:Completely agree. Subtle, classic-looking, but really unique. A lot of makers seem to "go large" with those kind of details, and it ends up looking gaudy or flash, but that's just beautiful. I really like the small dots too. Mosrite used dots like this and I've always thought they were great looking guitars. I've done the thee slanted dots on most of them now and like it. I don't have any headstock logo so I kind of think it identifies the guitar or some shit. Also a big fan of not going crazy with the bling on a guitar. endofanera wrote: This guitar is beautiful and the construction is top notch. Again. I imagine you could tune it into something like tenor guitar tuning with extra strings on top and bottom. In fact, that's pretty much what you described, kinda sorta. Cool cool cool. Thanks! The idea with this one was to make a perfect couch or travel guitar but still have a really good sounding instrument. It's small and not terribly loud which is great for playing at my house at night with the kids sleeping but I'd also totally play a gig with it. I've always liked playing with a capo on the third fret so I just made a guitar that is sort of always that. The scale length is right where a third fret capo would go and it's tuned to G. It would also work tuned to A but sounds sweeter in G.