Mudhoney

crap
Total votes: 16 (20%)
not crap
Total votes: 65 (80%)
Total votes: 81

Band: Mudhoney

62
bump!!

burun wrote:
mr.arrison wrote:PAGING VOCKINS!

Please, please tell us the story of DJ Bile Colostomy Bag, whom we met back in 1992 when we went with him to see Mudhoney in Charlottesville, Va.

"Dude- Are you OK? Did you blow your bag?"

Even if he chooses not to tell the story, this setup made me laugh uncontrollably for a minute and a half.

Salut!
Last edited by mrarrison_Archive on Sat May 31, 2008 10:23 pm, edited 1 time in total.

Band: Mudhoney

64
I'm not sure if they ever topped "Sweet Young Thing Ain't Sweet No More/Touch Me I'm Sick." Brutally raunchy and totally gritty, grim-sounding garage rock with guitar tones to die for.

Everything I've heard afterwards - even on Superfuzz Bigmuff - seems to tone down the grittiness, the grimness, and the raunch from there, and I want, I need that stomach-turning raunch they had on that single all the damn time. I don't feel like I get it from them after that single.

But damn, that is one hell of a single.
Life...life...I know it's got its ups and downs.

Groucho Marx wrote:Politics is the art of looking for trouble, finding it, misdiagnosing it and then misapplying the wrong remedies.

Band: Mudhoney

66
CRAP

Everything I have heard post Bigmuff has been a pile of crap.

The second half of Bigmuff is also crap. The first half of the album displays some possible potential, a continuation of the sound the Stooges acheived on their first album, but never really going forward with that idea or the execution.

All in all, crap.
www.23beatsoff.blogspot.com

Nina wrote: We're all growing too old to expect solace from watching Camus and Ayn Rand copulate.

Band: Mudhoney

67
some recording thing related for the last album "The Lucky ones"

Steve Turner wrote:We still record analog. We make sure we get people we really trust and respect to help us record our records. And then, it’s making sure that the microphone is picking up the sound as pure as possible. That’s why it’s really just a pure live setup because that’s what I’m hearing in the practice room and it sounds as good as I think it’s going to sound. I always bring some other guitars and other boxes in and I always just end up using what I use live, generally. Occasionally for overdubs, I use other stuff.

Everything’s going to get digitized eventually. I guess you just try to hold it off until the last possible point. This one was digitized after the studio. Even at this point, for vinyl, you can’t get a record mastered from tape anymore, I think. The technology changes every time we make a record. At least it’s not DAT anymore. I think DAT was the low point.


http://www.glidemagazine.com/articles/5 ... -ones.html

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