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by JeremyLemos_Archive
hey, wouldn't you rather talk about neoteks instead of what engineer ruined what record??? kind of a silly argument sometimes... if the band felt that way, they wouldn't' have put it out, right?? they must have liked it a little bit!!!
anyways...
back to neoteks! the thing about them for me beside the great sounding mic pres, are the EQ's... SWEEP-ABLE HIGH PASS FILTERS. My friends, this is the greatest thing for mixing other than compressors and auto-tuning... just kidding... I have no idea why every EQ doesn't have this... well, it's probably really expensive, but trying to go back to the fixed high pass button on other EQ's just doesn't cut it!! Just take that track of the Marshal stack and pop that filter in there... sweep it up until you can get rid of all the garbage in the bottom and stop just before it gets to any "balls"... you wouldn't believe what happens to your high end if you start getting rid of all the energy that you don't want down there... why would you want your guitar to have all that information below 50-80htz?? it's not going to do you any good in a mix!! that's where the kick and bass guitar go anyway!!
That's the best thing about my Neotek!!
Greg Maddux uses Neoteks too... heh, heh...
Jeremy
recording engineers do it at +9@180nW/m