drum miking, the do s and do not do s
Posted: Mon Feb 13, 2006 5:28 am
lo all
i suppose this thread is about working with limited resources in spaces which are not ideal, and possibly trying to stop making things up as I go along and actual make recording decisions based on something other than guesswork.
I have just started making mobile recordings, so i end up in peoples living rooms and garages and other aural armpits more often than not, and as such I have two questions.
Juan. What types of spaces that occur in the real non-adobe-clad world are, in all of your experience, useful for making good recordings of a given type.
Chew. I would like to record drums as well as i can. I own a matched pair of Oktava Mk012's, a D112, a studio projects C3, an sm57, and the suckiest peavey microphone they can legally sell. Recently I recorded some drums in a very small room with an ms pair using the c3 and one mk012 at about two metres in front of the kit, one mk012 overhead, sm57 on snare, d112 where you would expect.
The result was a kit sound which had lots of harsh mids from the cymbols, cockroach hihats, and a dead snare. Can anyone think of a way to use these mikes which frees up a better mike like the mk012 for the snare?
I suppose the main issue I have is how can I lessen the cymbols in the mix at the recording stage, are there any good placements anyone came across in similar conditions? Or is it more a matter of pleading with the ever enthusiastic drumbo to change their playing style to suit the recording?
tanks
i suppose this thread is about working with limited resources in spaces which are not ideal, and possibly trying to stop making things up as I go along and actual make recording decisions based on something other than guesswork.
I have just started making mobile recordings, so i end up in peoples living rooms and garages and other aural armpits more often than not, and as such I have two questions.
Juan. What types of spaces that occur in the real non-adobe-clad world are, in all of your experience, useful for making good recordings of a given type.
Chew. I would like to record drums as well as i can. I own a matched pair of Oktava Mk012's, a D112, a studio projects C3, an sm57, and the suckiest peavey microphone they can legally sell. Recently I recorded some drums in a very small room with an ms pair using the c3 and one mk012 at about two metres in front of the kit, one mk012 overhead, sm57 on snare, d112 where you would expect.
The result was a kit sound which had lots of harsh mids from the cymbols, cockroach hihats, and a dead snare. Can anyone think of a way to use these mikes which frees up a better mike like the mk012 for the snare?
I suppose the main issue I have is how can I lessen the cymbols in the mix at the recording stage, are there any good placements anyone came across in similar conditions? Or is it more a matter of pleading with the ever enthusiastic drumbo to change their playing style to suit the recording?
tanks