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best jazz saxophonist
Posted: Thu Jun 28, 2007 10:29 pm
by bourbon_Archive
I just listed my favorite players that I listen to frequently. Although I love them all I gotta go with Parker. I probably forgot a few! (like Albert Ayler, Dewey Redman, Pharoah Sanders, aaah shit . . . .)
best jazz saxophonist
Posted: Thu Jun 28, 2007 10:38 pm
by abcgroupdocumentation_Archive
this isn't very fair. this is a matter of style really, or taste i should say.
this is like the bonham vs. moon debate cubed.
with that said, i'd pick coltrane.
best jazz saxophonist
Posted: Thu Jun 28, 2007 11:56 pm
by alpha80_Archive
Coltrane is the Kareem of his world.
Others hit higher peaks, but he just kept winning.
best jazz saxophonist
Posted: Sun Feb 10, 2008 2:25 am
by thyklopth_Archive
Sonny Rollins would be the Michael Jordan in that case.
best jazz saxophonist
Posted: Sun Feb 10, 2008 3:33 am
by fancyjamtime_Archive
All are excellent in their own way but Ornette Coleman makes me happy most often. If you haven't heard it, his solo in "Richard Pryor Addresses a Tearful Nation" on Joe Henry's "Scar" is the best thing there is.
Coletrane's "Giant Steps" gotta be second though...
best jazz saxophonist
Posted: Sun Feb 10, 2008 9:14 am
by iembalm_Archive
Cotrane and Coleman. Can't choose.
best jazz saxophonist
Posted: Sun Feb 10, 2008 11:08 am
by coach_Archive
Coltrane's it for me -- his range is ridiculous. Pharoah Sanders would be a close second.
best jazz saxophonist
Posted: Sun Feb 10, 2008 11:17 am
by Edward_Archive
Coltrane for me too. Honorable mention to Evan Parker and Jimmy Giuffre.
best jazz saxophonist
Posted: Sun Feb 10, 2008 2:05 pm
by DasWiso_Archive
I voted for Coltrane - but in retrospect I'd say that perhaps Charlie Parker was more 'important' to the development of the style that Coltrane later built on and went way the fuck out west on.
This isn't about importance though - so not crap.....I mean, Coltrane.
best jazz saxophonist
Posted: Sun Feb 10, 2008 6:41 pm
by projectMalamute_Archive
Okay, I went Charlie Parker for sheer technical brilliance and innovation. He was at the center of one of the most revolutionary moments in american music and head and shoulders better than everyone else around him.