advices on mic tracking in live context
Posted: Wed May 21, 2008 2:46 pm
Hi there,
Imagine a room the size of an average church, same height of ceiling but all in wood with a much better sound. A stage on which there is an incredible sound when playing, My question: what would be the best way to record the sound of the room to get a maximum of drums ambient sound with a minimum of the other instruments ?
I was thinking putting two so-called room mics either in front or at the back (if I have enough space) of the drums and then try to get rid of the guitars in adding their track with the phase reversed to cancel the sound already present.
I have done that in studio context it really works great but you may have others tips and tricks for live.
Alex
Imagine a room the size of an average church, same height of ceiling but all in wood with a much better sound. A stage on which there is an incredible sound when playing, My question: what would be the best way to record the sound of the room to get a maximum of drums ambient sound with a minimum of the other instruments ?
I was thinking putting two so-called room mics either in front or at the back (if I have enough space) of the drums and then try to get rid of the guitars in adding their track with the phase reversed to cancel the sound already present.
I have done that in studio context it really works great but you may have others tips and tricks for live.
Alex