sethpomeroy wrote:The Crazy World of Arthur Brown.
I am very fond of this record, beginning to end, and I never hear it discussed.

One of their keyboard players lectured me on human/animal perception in University 16 years ago. He seemed to have a brain the size of a planet, and I fancied his daughter something rotten.

The Up On In "Steps for the Light"

i know one other person who enjoys this album.

only because i gave it to him.

Mudhoney's Tomorrow Hit Today. Its so fuckin' rad and the sound of that record is amazing.

Except for folks I've met via this forum, I only know two other people that like Silkworm, and one of them is my girlfriend.

I love the One Last Wish collection 1986 and that is never talked about. Easily supperior to Embrace and as good as Rites of Spring.

Joseph wrote:I got two.

The Remains (a.k.a. Barry and the Remains): A Session with the Remains

This is a great record. The version of "Hang On Sloopy" is probably the best version of that song ever recorded.

I have expressed my love for Unsane's Total Destruction many times. Chris Spencer doesn't even like that record.

Despite being in every cut-out bin in the planet, Crain's Heater, is one of my favorite albums ever.

i agree about the sadly forgotten 'one last wish' album and raise you the happy go licky album 'will play'.

i'm willing to bet no-one cares about all of the tim kinsella projects i love, so i'm not going to bother talking about them again.

matthias beebe wrote:dead meadow's 'howls from the hills'

Dead Meadow is underrated altogether. Their Got Live if you Want it bootleg is a lot of fun.

I have to go with Phantom Planet by Phantom Planet. It's a gigantic rock record that everyone slept on. The guitars sound great, and it's worth listening to for the drumming alone.

i saw phantom planet play live at the summer ball of my old university last year by complete accident.

my word, what a dreadful band.

readysetrawk wrote:
I have to go with Phantom Planet by Phantom Planet. It's a gigantic rock record that everyone slept on. The guitars sound great, and it's worth listening to for the drumming alone.

i'm willing to bet no-one cares about all of the tim kinsella projects i love, so i'm not going to bother talking about them again.

I love Tim Kinsella's work no matter how arty or pretentious people may think it is. My favorite is Joan of Arc's "Live in Chicago 1999." Such a damn fine record.