tocharian wrote:Yes, it's a French (gasp!) dance music (aspirate!) label run by Daft Punk's manager, but I'm kind of excited about it. For one, Ed Banger events are the balls-out, Dionysian experiences rock concerts should be. What's more, I can't stop listening to that new Justice album.
Well, I've seen Justice live, and while they've got a big cross that lights up (cool) otherwise they are some more pasty guys who hide behind a pile of equipment and play with laptops, and ramp up builds and twiddle the high pass filter. It was much more tedious than just a DJ playing great records, because it professed to be a 'rock concert' when it was just a triggering of prerecorded sound with no spectacle. Left me cold.
Plus they don't exactly do anything new. They are basically just Daft Punk, but with more powerful software. Old disco and funk records recombined with heavy sidechain compression. However, they add a macho, noisy, big-beatish, rock n'roll aesthetic to it, which for me misses the point of electronic dance music; to create something rock and roll bands cannot. The huge bass work sounds pretty cool, but I don't know why everyone gets so excited about them.
Uffie / Feadz stuff is pretty good in a filthy, crunky kind of way. Sebastian is mostly unlistenable to me. You can make things exciting without ten tons of digital distortion and artifacts.
Ed Banger may be superficially sexy, but it's not some paradigm shift. It's just a record label.
CRAP.