"The B-52's"?

Not Crap
Total votes: 34 (94%)
Crap
Total votes: 2 (6%)
Total votes: 36

B-52 s Debut Album

11
Ricky Wilson is my favourite guitarist by some distance. Really amazing style. There's been nobody like him before or since really. I mean, Keith Strickland had to learn his parts but it's not really the same thing. I think he tuned to something like CFXXFF. His death was fucking heart-breaking. He died when AIDS was still something of a mystery. There was all that 'Gay Plague' bullshit floating around the media. He kept his illness secret and the rest of the band only found out from a friend who worked as a nurse at the hospital he was being treated at. A week or so later he was dead.

This album is in my top ten for sure. I never get sick of it. '52 Girls' is a perfect song. It's probably been on a hundred mixtapes I have made over the years.
run joe run wrote:Kerble your enthusiasm.

B-52 s Debut Album

13
here, i started a thread on a different forum a few years ago on Ricky Wilson's guitar sound.

i got this reply.

i can tell you something about ricky's "style." i spent some time with ricky. we were playing different things and he kept trying different tunings. after a while i said, "well, why don't you just try standard tuning and maybe we can come up with something interesting that way too?"

he said, "i don't know standard tuning" so i said, "well, what tuning are you in, (G?, D?, etc...) and i can show you how to get to standard tuning from there" and he said, "i don't know what tuning i am in."

I said, "huh, you don't know what tuning you are in? how do you write songs?" and he said, "i just tune the strings till i hear something i like and then something comes out". (mind you, we had just been jamming for an hour or so and had been working fine together)

so i asked him, "well, how do you replay the songs you have written, like rock lobster? do you write down the tunings?" and he said, "no, i don't write anything down, and i have no idea how the tunings go." i was flabbergasted and i asked him, "how the hell do you play the songs again then", and he said (in all seriousness), "i don't know!"

a true story. and the nicest guy you would ever meet. i still don't know how he did it but every time i saw them live it was a complete blast, and they drove me nuttier than a sane man ought to get, jumping around dancing and screaming. (mind you i got pretty stoned back then). what a great band.

B-52 s Debut Album

15
For me, surfy guitars are an instant not-crap. After reading up on Ricky Wilson's guitar style, it furthers the not-crap feeling. Everything else on this album (beehive hairdos, nonsencical lyrics, cheesy keyboards etc.) ranks a hearty not crap.

The main issue that should be discussed regarding the B-52s is Camp or Not Camp.

B-52 s Debut Album

16
This is a fantastic record. I often wonder to myself when listening to it, "It must be the craziest feeling to have your first record start with a song like Planet Claire".

Ricky Wilson was/is an incredible guitarist. All of his parts are perfect. Dance This Mess Around has some of the most interesting and cool guitar ever recorded. Such a weird sense of rhythm.

There's no filler in any of this record. All the parts in the songs seem to have a place.

Great band. One of the greatest debut records. So good.

B-52 s Debut Album

18
r0ck1r0ck2 wrote:here, i started a thread on a different forum a few years ago on Ricky Wilson's guitar sound.

i got this reply.

i can tell you something about ricky's "style." i spent some time with ricky. we were playing different things and he kept trying different tunings. after a while i said, "well, why don't you just try standard tuning and maybe we can come up with something interesting that way too?"

he said, "i don't know standard tuning" so i said, "well, what tuning are you in, (G?, D?, etc...) and i can show you how to get to standard tuning from there" and he said, "i don't know what tuning i am in."

I said, "huh, you don't know what tuning you are in? how do you write songs?" and he said, "i just tune the strings till i hear something i like and then something comes out". (mind you, we had just been jamming for an hour or so and had been working fine together)

so i asked him, "well, how do you replay the songs you have written, like rock lobster? do you write down the tunings?" and he said, "no, i don't write anything down, and i have no idea how the tunings go." i was flabbergasted and i asked him, "how the hell do you play the songs again then", and he said (in all seriousness), "i don't know!"

a true story. and the nicest guy you would ever meet. i still don't know how he did it but every time i saw them live it was a complete blast, and they drove me nuttier than a sane man ought to get, jumping around dancing and screaming. (mind you i got pretty stoned back then). what a great band.



that is awesome... really awesome...


Ricky is a huge influence on the way I play guitar... his "split tuning" was a father to my "clank tuning" its where I got the idea to split the guitar into 2 different modes of thinking, and I would not ahve devolped that without him.

Not Crap, but boy did they go downhill fast...
Ty Webb wrote:
You need to stop pretending that this is some kind of philosophical choice not to procreate and just admit you don't wear pants to the dentist.

B-52 s Debut Album

20
steve wrote:It's just not camp.


Si. It's tough, this record. This band is tough, for that matter.

Agree that Ricky Wilson was a unique and brilliant guitarist.


Ricky Wilson is a huge influence on my own guitar playing, particularly baritone.

I love Wild Planet as well.

Like parts of all their records. Keith Strickland is probably the only guy who could have stepped in for Ricky Wilson--he isn't as great, but they have still made good music after losing RW.

The women are also awesome.

Fred is also great. Fred Schneider is like the anti-Freddie Mercury, with no pejorative meant (I like FM as well).

Live clips of them in the early days are incredible. Those songs just go and go and go.

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