Re: What are the hallmarks of a cheezy studio production sound?

12
Geiginni wrote: Fri Feb 25, 2022 12:07 pm
enframed wrote: Fri Feb 25, 2022 11:41 am Cocaine may have been the most widely used signal processor in the 70s and 80s.

Someone should design a patch or pedal or whatever called "Coke-Box."
I like this idea.

Would it be a soft knee limiter into an 8 or 10-bit A-to-D/D-to-A and then a chorus with a nice sweepable narrow-Q HPF at the end to add just the right amount of "sizzle"?
If you put the right skin on it and marketed it right you could sell the shit out of this as a plugin.

The advertising would need to be intentionally funny and ironic.

Re: What are the hallmarks of a cheezy studio production sound?

13
Reverbed rimshot. Coupled with tambourine on the snare even better.

Harmonica added to singer-songwriter stuff, like at the start of this song, which is very good, but that cheese almost ruins it.

Add to the above, song originally composed on solo acoustic guitar or piano having a massive rock band kick in at the last chorus or something like that. See Evanescence - My Immortal, on the Fallen album.
born to give

Re: What are the hallmarks of a cheezy studio production sound?

15
losthighway wrote: Fri Feb 25, 2022 12:09 pm
Geiginni wrote: Fri Feb 25, 2022 12:07 pm
enframed wrote: Fri Feb 25, 2022 11:41 am Cocaine may have been the most widely used signal processor in the 70s and 80s.

Someone should design a patch or pedal or whatever called "Coke-Box."
I like this idea.

Would it be a soft knee limiter into an 8 or 10-bit A-to-D/D-to-A and then a chorus with a nice sweepable narrow-Q HPF at the end to add just the right amount of "sizzle"?
If you put the right skin on it and marketed it right you could sell the shit out of this as a plugin.

The advertising would need to be intentionally funny and ironic.
Possible names:

8-Ball (plug-in)
Kilo (a box/pedal)
Escobar (coffin-shaped pedal)
Llello (plug-in)
Records + CDs for sale

Re: What are the hallmarks of a cheezy studio production sound?

17
100% of We Built This City.

Every instrument. Every studio trick. It's all there except Autotune, which hadn't been invented yet. There are zero good sounds on this song.

While I don't think it's a great song, I'd still love to hear someone redo it with the same performance using tones and production from the early 70s.
Last edited by tommy on Fri Feb 25, 2022 12:37 pm, edited 1 time in total.
self: https://tommiles.bandcamp.com/
old: https://shiiin.bandcamp.com/

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