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by Tom Wanderer
FMR Really Nice Compressor and FMR Leveling Amp
ElectroVoice EVT 4500 rack mount spring reverb
I've made it so long without compressors. Well, I've got a Joe Meek C2 from the Ted Fletcher era and it's great, but I didn't really understand the controls and overused it in a way that left me skeptical and overly cautious about a decade ago. Anyway, I took the plunge a few months ago and I am so happy with these two products and they are astonishingly inexpensive. I know this isn't going to be news to anyone here but I still want to share my experience.
The RNC was B stock from Adorama for something like $125. I've been using it rather subtly to fit a dual vocal (male and female) into the mix better. I've used it during mixing on 3 songs so far and I love it. The singers (my wife and I) are not the best with controlling our volume and mic proximity. I did not want the compression as a vocal effect, just to get it under control a little bit so it sits better in the mix. I'm very happy with the results and it sounds natural.
One of the songs we are dubbing vocals onto was recorded over 10 years ago in a huge empty room and there is a lot of natural reverb. I wanted to add reverb to the vocals (also during mixing, after the RNC) and I got to really try out the Electro Voice EVT4500 reverb for the first time, beyond just testing. Damn this thing sounds good! I thought the dual tank design (short and long reverb tanks both inside the unit with a blend knob between the two to control the character/length of the reverb) was a gimmick but it was actually very useful. I was able to get a vocal reverb that was believable and worked well with the other elements. I really like this thing and look forward to running some HR-16 snare through it in the future and pushing it way out of "subtle" territory.
I added a combo organ part on that same recording and there are some differences in key volume between the octaves. It's all working fine, but you know how jagged some notes can pop out of an old Italian combo organ. I needed more than subtle on this, I needed to squish it a bit to smooth out the volume of the individual notes. The Leveling Amp was perfect for this. I also wanted to have the organ quite low in the mix, sort of barely there, and that would have been impossible without this tool. If it were higher up, I'm sure the compression would be more obvious, but as it is the overall effect is still pretty transparent. Just what I needed.
It's weird to be at a point in my life where I can consider these things to be "practical purchases", but each of these three pieces of equipment are solving problems and improving my recordings.