Re: Requiescat FM Steve

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My radio show 05.08.24. I had to leave off a few personal favorites (Prayer To God, Trouser Minnow) due to excessive swear words. Goddamn FCC.

Kerosene
Steelworker
Deep Six
Marmoset
Spoke
Doris
My Black Ass
Pigeon Kill
Grinder
L Dopa (Pigpile version)
Song #1
Canada
Squirrel Song
The Model
Rema Rema
In My House
Just Got Paid
Jailbreak
Heartbeat
He's A Whore

Copper
Killers
Agostino
Pavement Saw
Cables (Atomizer version)
The People's Microphone
Rambler Song (Laff & Go version)
Sleep!
Il Duce
Steady As She Goes
Watch Song
Log Bass
Riding Bikes
Wingwalker
Billiard Player Song (BBC version)
Inki's Butt Crack
https://thegemshow.bandcamp.com/album/a-mountain-2
https://spitegeist.bandcamp.com/
https://wandajunes.bandcamp.com/

Re: Requiescat FM Steve

272
I never met Steve, but, fuck me, he had some impact on me.

I have devoured his records, writing and thoughts for all my adult life and a good chunk of the pre. Reading interviews, books, magazines, watching interviews, performances and whatever the fuck to find better ways of recording, playing, or living. I lurked on here and learned from a community of like-minded fuckups about recording, cooking, art and life. It's stupid really. One person shouldn't need to be the lighting rod for creativity and decency, but there we are.

Had chances to say hello after gigs, but didn't. Could've got my shit together and tried to record with him, but didn't. The fact that he was so open and accessible, meant both of those felt like a distant eventuality rather than a idiotic pipedream.

It's just fucked up. I feel like an absolute lunatic for reacting so strongly to his death, but he really shaped how I think about so many things. Condolences to his friends, family and the rest. We've all lost out here. I feel utterly gutted.

Re: Requiescat FM Steve

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God it's going to be so surreal listening to Shellac's last album, presuming it will be released still. Really feel for Bob and Todd too, have they made any comment through any medium? Not that they have to at all.

So depressing. I was about to see them in Brighton, UK and the venue just sent me an email to say it's cancelled and that just made me sink lower. One helluva guy.

Re: Requiescat FM Steve

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Wellsyuk wrote: Mon May 13, 2024 9:25 am God it's going to be so surreal listening to Shellac's last album, presuming it will be released still.
To All Trains copies have been shipping out over the last week. I didn't pre-order but several friends received theirs. Shellac records are always delayed to a comic degree though, I'm sure the bulk of this album was 'done' 2-4 years ago.

Perhaps there's more stuff in the vault. I have no idea how that might be handled. I too feel for Bob and Todd losing their dear friend and bandmate of over 30 years.
Music

Re: Requiescat FM Steve

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Hi. Former FM Steve V. here.

I’m still reeling from Steve’s passing and I can only imagine how deeply this must be felt by his family, friends. My condolences to all.

I wrote this in a few other places such as Facebook, but I think it’s a pretty decent line—it’s as if this vital element to existence has been plucked from the atmosphere and we’re all reeling while we try to figure out how we’ll go on without it.

Almost every relationship I have in my life is Albini-adjacent in some way. When I started that band old heads will remember, it began a working relationship, but more importantly, a close friendship with my buddy Keith that still has us communicating almost daily. He’s practically my brother after all this time. Fifteen years. Jesus.

There are also the people from the PRF golden age who I still see when I can. It all goes back to Albini and the house he built and the place where he let us all communicate. The conversations, the lessons, the BBQs. Everything, good and bad.

The music and the man left a deep impact on me. I don’t claim to have known him in any meaningful way beyond that and a few times we met, but I think when you’re a creative person in whatever discipline, you do form a strong bond to those who inspire you. When they leave this planet, with them goes all that knowledge and talent and work still left to do. Steve wasn’t done. But, if we’re to take solace in what he said about John Grabski III, that’s how he wanted it when his time came.

But I can’t accept it. Not yet.

Requiescat.
Last edited by Thatguyfromthething on Mon May 13, 2024 5:23 pm, edited 1 time in total.

Re: Requiescat FM Steve

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penningtron wrote: Mon May 13, 2024 9:35 am
Wellsyuk wrote: Mon May 13, 2024 9:25 am God it's going to be so surreal listening to Shellac's last album, presuming it will be released still.
To All Trains copies have been shipping out over the last week. I didn't pre-order but several friends received theirs. Shellac records are always delayed to a comic degree though, I'm sure the bulk of this album was 'done' 2-4 years ago.

Perhaps there's more stuff in the vault. I have no idea how that might be handled. I too feel for Bob and Todd losing their dear friend and bandmate of over 30 years.
I got my copy on Saturday afternoon and listened to it twice back-to-back and a few times on Sunday and I will say it is a damn good record. The final song is a perfect way to wrap things up and was getting me misty.
f.k.a. jimmy two hands

Re: Requiescat FM Steve

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Thatguyfromthething wrote: Mon May 13, 2024 10:19 amThe music and the man left a deep impact on me. I don’t claim to have known him in any meaningful beyond that and a few times we met, but I think when you’re a creative person in whatever discipline, you do form a strong bond to those who inspire you. When they leave this planet, with them goes all that knowledge and talent and work still left to do. Steve wasn’t done. But, if we’re to take solace in what he said about John Grabski III, that’s how he wanted it when his time came.
It's the waste of knowledge, skills, intelligence, and his ability to bring people together, that I feel utterly gutted about. There was no one else like that. Steve was my favourite person to record bands and make music. That coming to an end feels completely horrifying. When Hunter S Thompson died, I knew I'd never get his take on the shitshow of the modern world and that felt like the depressing fagend of an era. I looked to see what Steve thought about things in that way, too, because he tended to say things I agreed with in a way few people could. Things felt slightly better knowing people like that were stuck on this psychotic floating rock with you. He made me feel less crazy and alone. If nothing else, thank you for that.

I reread what he wrote about John today and it's still a pretty hard hitting tribute to choosing to live your life in a decent, dignified and productive manner - true to yourself regardless of the circumstances.

John marked him in the same way Steve marked us. We are better for it. He really fucked my music taste up, as well.

Re: Requiescat FM Steve

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Bill from Federation X wrote about them meeting and recording with Steve in the early 00s and how much he went out of his way to help out a broke ass band:
In the very early 00’s, I wrote Steve Albini an email inquiring about his availability.

We were gearing up to record our third studio Album (our second with Dave Crider's Estrus Records), and, as a big fan of Big Black, I wanted to see if Steve would record it.

We ran the idea past Dave, and Dave said, “Go for it.”

At the time, Steve had a pretty serious reputation, and as a result, I had several folks in the Seattle area try to talk me out of it.

One went so far as to say Steve was especially hard on vocalists and would make me cry. (Seriously, someone said this)

Regardless, I contacted him. He wrote back, and we got on the phone.

On the call, I told him another thing I’d heard: that he was booked six months in advance, which he laughed at. (also not true, apparently)

We talked a minute or two more, and then I asked about the rate, something I should have done first.

When he told me what it was, I immediately apologized for wasting his time. Although totally reasonable, it wasn't something we could afford.

To which he said, “Hold on. By what you told me, you can afford two days.” “Yeah,” I said, “But we can’t do it in two days.” (We had been in the habit of recording records in 4 to 5 days)

Then he said something for which I will always be thankful and impressed.

He said, “OK, so if you’re a big name with a big budget, my day rate includes 8 hours; if you’re a small band with a small budget, my day rate is good for 24 hours.”

You’re shitting me. What a mensch.

So that’s what we did. We recorded 38 hours inside 48 with a 10-hour break in the middle, during which he made us dinner, of all things.

Earlier that “day,” he had turned from the board to the small couch where we were sitting behind him.

He was in the habit of doing this to practice his in-progress comedy bits on us.

Whenever he did, he’d get this look on his face, like a kind of wry smile, and you knew what was coming. lol

After one of these failed attempts (the bits were not that funny, lol), he noticed that in addition to not laughing at his jokes, other than nervously, we were eating beans out of a can, which we did a lot back then.

He paused and said, “I’m gonna make you guys dinner tonight.”

Shortly after we arrived, he received a package of beef from his parents in Montana.

When it arrived, he was so excited because it meant he could drop the dry ice it was packed in in the toilet, which he did. This caused a fog-like substance to spill out of the toilet and onto the floor, which he found hilarious.

Later that night, we ate seared grass-fed beef in a dill aioli sauce, which Steve made himself.

When we got to the end of the session, we were still a couple bucks short, and being the band's resident authoritarian, I was kinda freaking out.

Steve said, “Do you have any songs left?” I said yeah. “Well,” he said, “call around to the labels you know and offer them the songs as a single, and I’ll record it.”

There wasn’t time, of course, but he just said we’d make time.

So I called Josh Vanek at Wantage Records and offered him the “songs”—only one song—for the amount we needed to settle the bill.

The problem was the song was 6 plus minutes long and would not fit on a 7” record.

Steve also had an idea for that. He said, “Remember the old James Brown singles? They just fade out on one side and fade back in on the other. That’s what we’ll do.”

Another problem solved by Steve.

At the end of the session, we bought Steve a cake with “We hate you” written on it in icing, which he loved and grinned ear to ear upon receiving.

That was it; I never saw Steve again.

Now, as a nearly 48-year-old man, the thing that stands out to me about all of this is that Steve had absolutely no reason to do any of this for a band he didn’t know and had never heard of.

No reason except for his principles.

That’s the kinda guy he was.

So these are some of my memories from that week; there are others, little snapshots of a truly unique voice in American music, which I will keep for myself.

Bill.
Band: www.bracketsseattle.bandcamp.com
Old band: www.burnpermits.bandcamp.com
Older band: www.policeteeth.bandcamp.com

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