I dig "Disappearer" from Goo and "Kool Thing" is trashy fun, if a really stupid song. But otherwise, agreed, the singles weren't by any means the best parts of those records (which I found kinda patchy). "Theresa's Sound-world" though, man, that's good shit. And am I a contrarian asshole for liking the throwaway quasi-instrumental "Mildred Pierce" (written in 1982! there's a live performance from that year somewhere on YouTube) more than the rest of Goo? Yes, I am.Bernardo wrote: I do enjoy Goo and Dirty a lot, though not particularly most of the singles from those albums.
Experimental... didn't grab me, and Washing Machine lost me completely. I gave up on them and go back to a later album every now and then to see if it clicks, hasn't happened so far. What I liked about them was no longer there after a certain point. Sounded VERY complacent.
"The Diamond Sea," on the other hand, almost made me care again a few years later. Magnificent song. But other stuff from that album and Experimental Jet Set... left me cold. I remember trying again w/NYC Ghosts & Flowers (b/c hey, you could see 9/11 from my roof!) and just thinking the band sounded really stoned.
Speaking of weed, Pavement after Crooked Rain... also falls into this category. Wowee Zowee seems to have become a fan favorite, but I've never listened to it from start to finish. I like CRCR just fine, but the weirdly excellent drumming and the urgency ran away.
See also: Sebadoh and Lou Barlow in general after Eric Gaffney leaves. Not to mention Dinosaur after the Whatever's Cool w/Me EP, for that matter....