toomanyhelicopters wrote:if i could take old Yes albums, and either remove or maybe even just change the vocals, i would take that over Don Cab any day. Yes had all the creativity and virtuosity, but were less obnoxious, less overstated. it's like... the non-vocally-challenged Yes would be the equivalent of a girl lifting up her blouse and showing me her belly and maybe the very bottoms of her breasts... and Don Cab would be a whore pressing her crotch up against my face. or, for the ladies, Yes would be like a guy telling you a joke and flexing his biceps... and Don Cab would be a guy smacking you in the face repeatedly with his giant rock hard cock.
looks like about 75% of the folks here like to be smacked in the face with a giant rock hard cock. you guys are so weird!
I would take the old Yes records with the vocals over Don Cab. They're in a different league... Don Cab are great. Yes were a band who were supported and funded very well by Atlantic. Also, Wakeman's solo stuff was on A&M, so A&M and Atlantic were always competing. They once picked up Wakeman in a limo filled with hot chicks, and everyone else in Yes took a cab, so A&M could show the rest of Yes how cool of a label they are...
I don't hear the vocally challenged nature of Yes. Jon Anderson is one of the best singers of that 70s era. That guy from the Buggles had a hell of a time trying to sing those old Yes tunes when he took over. That said, Drama is an excellent record, and is so underrated, even by Yes. Yes apologize for that record, even more so than Tormato, which was 80% crap. Drama (the 1980 Yes release with 2 guys from the Buggles) is something I can listen to from beggining to end, and it holds up to today's standards. Beyond my likes, it exhibits great musicianship and composition skills.
For an independent rock band, Don Cab has very high standards and produces some incredible music. Damon is one of the best drummers I have ever heard. My only criticism is that they kind of lock into a sound. American Don, in particular, uses that same guitar looping technique throughout the record. This is a criticism one can posit against 95% of independent rock bands, and also 99% of major league rock bands. It's almost as though people do market research before they start writing tunes. When I was writing music, people always told me I need to find a sound, so I think it is what most people like and expect. It also makes it easier to market the band (they are "emo" or "death metal").
I also think there is the notion of an "indie rock caucus (or as I shall call it "cockass"). There are definately bands that independent rock fans and bands will appreciate by fiat. King Crimson is one (hippies also love these guys... strange). No independent rockers will touch Dream Theater with a 500' pole (unless there was a piece of turd on the pole). What a shame. Some of the DT stuff is so bizzare, it makes Don Cab seem like Pearl Jam.
Anyway, the indie rock cockass is what keeps indie rock kind of boring. I always listen, though... Who knows, maybe those golden years of the mid to late 90s will return. Maybe people will stop trying to look like Rod Stewart and start wearing belts that match their shoes. One can only hope.
I think Don Cab's World Listening Party is still as good as what they have always done, maybe better. I'd take it over American Don.