you posted on the TO board your list of good/bad/ugly tape decks and sadly, the 440 made the bad list. i've got a 1/2" 4 that i'm in the process of converting to 1/4" 2 track and was wondering what you didn't like about them. we slapped a 1/2" tape recorded on an otari 8 on the ampex and it sounded great, much more open than the otari. where's the beef?
alex
greg - ampex 440s?
2If the machine is in good shape then you might be fine.
With old machines I have found these types of problems:
-The audio cards fall out of calibration quickly.
-There are problems with the audio card connectors not making good contact.
-The trimable caps and pots go noisy.
-The capstan speed can be irregular.
-The tape tension is erratic.
-You can stretch the tape if you aren't careful winding.
If you aren't experiencing these problems then good. The audio sounds good on them, it is just a reliability issue for me.
With old machines I have found these types of problems:
-The audio cards fall out of calibration quickly.
-There are problems with the audio card connectors not making good contact.
-The trimable caps and pots go noisy.
-The capstan speed can be irregular.
-The tape tension is erratic.
-You can stretch the tape if you aren't careful winding.
If you aren't experiencing these problems then good. The audio sounds good on them, it is just a reliability issue for me.
greg - ampex 440s?
3damn, quite the laundry list. can they ever get stable enough to be reliable in a studio?
greg - ampex 440s?
4They can if you keep your eye on it.
Some info from people who know a lot about this machine can be found at
http://www.recordist.com/
I've been burned on a lot of those older machines so I've got some hate to spread.
Some info from people who know a lot about this machine can be found at
http://www.recordist.com/
I've been burned on a lot of those older machines so I've got some hate to spread.
Greg Norman FG