major wrote:
OrthodoxEaster wrote: Sun Aug 17, 2025 2:44 pm
major wrote:
I sold that shirt for $300 about a decade later.
Faith No More still sucks.
To reference some fun upthread, at least the band's name was presumably spelled correctly on it. (I miss the pre-internet
One of my regrets in life is going to see the Beastie Boys in 1998 with $20 to my name and I didn’t spend it on a bootleg shirt outside the venue in San Antonio. It was that ABA-style logo on a ringer tee that read “Beasty Boys”.
I fucked up!
Can't believe I'm even thinking about this in 2025, but MrsEaster, while traveling thru Thailand during the '90s, encountered bootleg cassettes w/colorful Xerox covers credited to the Red Hot Chili Papers. She should have bought one just for kicks. We could have kept the artwork and taped over the thing.
llllllllllllllllllll wrote:
OrthodoxEaster wrote: Sun Aug 17, 2025 12:43 pm
Admittedly, Melvin Gibbs sounds cool w/Harriet Tubman or Arto Lindsay's noisier solo material.
Oh yeah, haha. Somebody posted Arto Lindsay’s
Aggregates on here decades ago and it completely wrecked me. Love that album and I wrote Melvin Gibbs asking about it at some point.
I think it was the great Blogspot thread, also where I heard Fushitsusha the first time. Lotta good stuff.
I had completely written Arto off as smooth loverman synthy tropicalia when that record came out. But, holy shit! So good! Best thing the guy had done since the DNA EP, or at least the Don King record he played percussion on.
Gibbs seems like an interesting guy. Late-period Rollins Band stint notwithstanding, he's probably got the best résumé of the more-famous Black Rock Coalition
people (to clarify his link to Living Colour; I don't think Gibbs ever actually played w/them).
Music aside, LC always seemed like such a biz band to me. The heavy-hitting management, Mick Jagger-"produced" demos, calculatedly outrageous fashion sense, and fancy lighting rigs... all before even releasing a record. (To be fair, rock and blues purists probably sneered at Zeppelin for being similarly ambitious.) But still, so much of it seemed to be about overt commercial/corporate courtship. Like they were gunning more for Bon Jovi fans than Bad Brains lovers.